In Composición Animada, I act as a performative guide that gradually blends in, imitating the forms its body reviews, rubs, interprets and uses, according to a kind of ‘bio-architectural’ and very ambivalent symbiosis that objectifies the body as much as it might bring stone to life. The goal is to accompany the visitors through an experience on two levels; both corporal and architectural, to inhabit that place and almost become a physical part and/or an extension of its history, of its immense scale of imperceptible delicacy, its real presence, beyond a touristic souvenir.